TRANSLATIONS

next page previous page up home

The first pages of the pare chapter:

 

A few preliminary remarks and imaginations:

1. In the toki chapter, I have suggested there are systematic and meaningful contrasts between Egyptian images and rongorongo signs, for instance between the hieroglyph for cloth (menchet) and the glyph type which I have labelled henua ora ('living earth'):

menchet

henua ora

Evidence from the texts indicates that a better name than henua ora could have been 'black cloth', and indeed I have often avoided the name henua ora. Instead I found 'recycling station' to be more descriptive of the idea perceived in the texts. However, in the Swedish language henua ora would literally be translated into livmoder, which word means uterus, womb. The womb is the source of life. In French womb is matrice. In Spanish it is matriz or útero. The recycling of the spirit apparently implies that every baby is 'impregnated' by a spirit which has descended (like a fly) from the sky.

The henua ora glyph type has in its center a single 'inverted pillar' of a kind like the 2 in menchet. And instead of a straight horizontal line for the ground there is a parabolic form, which means we can imagine it as a kind of 'cup' containing an 'embryo' (hidden in the dark) at the bottom.

henua ora

pare

The female 'cup' form in henua ora has as its opposite, I think, in the male 'cap' form of pare. Instead of a single 'mata' at the bottom there are twin mata high up.

The sphere of the sky has two halves, 'cup' (below) and 'cap' (above):

... In the beginning there was nothing but the sea, and above soared the Old-Spider. One day the Old-Spider found a giant clam, took it up, and tried to find if this object had any opening, but could find none. She tapped on it, and as it sounded hollow, she decided it was empty. By repeating a charm, she opened the two shells and slipped inside. She could see nothing, because the sun and the moon did not then exist; and then, she could not stand up because there was not enough room in the shellfish ...

 

 

2. Fists should be held high, but in pare the outline of a 'cup' necessitates holding them low:

pare

The crown of flames presumably serves to illustrate how Sun is hidden but on his way up. There are 3 flames high up and 2 in a lower position. Those at the top could refer to summer and those lower down to winter.

The 2 mata are holes and possibly the 2 fists are his eyes. By holding his fists low we are able to associate to waterfilled bags (hipu). When Sun is crying his tears flow downwards in form of rain, as described for instance by the Moriori fishermen (Legends of the South Seas):

"In the beginning were Rangi and Papa, Sky and Earth. Darkness existed. Rangi adhered over Papa his wife. Man was not. A person arose, a spirit who had no origin; his name was Rangitokona, the Heaven-propper. He went to Rangi and Papa, bid them go apart, but they would not.

Therefore Rangitokona separated Rangi and Papa, he thrust the sky above. He thrust him with his pillars ten in number end to end; they reached up to the Fixed-place-of-the-Heavens. After this separation Rangi lamented for his wife: and his tears are the dew and the rain which ever fall on her ..."

The separation of heaven and earth begins with spring equinox. The ecliptic path of the Sun from then on forces him higher and higher away from the earth. The great 'eye-lid' is opening. Fornander was probably right, the Hawaiian pale (pare) has to do with the eye:

... Greek, φαρος, a large cloth, cloak, or mantle, shroud; παλλω, to sway, swing, poise, toss; παλμη, a shield; παλμος, a quivering motion, vibration, palpitation; πελτη, a small shield; πελεμιζω, shake, make to quiver, drive away ...

... And though these gentlemen refer βλεφαρον, the eyelid, and βλεφαρις, the eyelash, to the verb βλεπω, to see, look, I would, in view of the foregoing pale, παλλω, pello, and their derivatives, consider these words as composite rather than as derivatives of βλεπω, and formed from βλεπω or βλεμμα, and φαρος, originally perhaps βλεπ (or βλεω-) φαρος = the covering of the eye ...

The covering (pare) of the eye, the eye-lid, is similar to 'the cap of the sky', it can close and cause darkness. It is like a dark veil. Another image for the cap is hare paega:

... Ure set out and arrived in front of the house of Tuu Ko Ihu. Ure said to the king, 'I (come) to you for my very large and very beautiful skull, which you took away on the day when the banquet for the new house was held. Where is the skull now?' (whereupon) Tuu Ko Ihu replied, 'I don't know.'

When Tuu Ko Ihu came out and sat on the stone underneath which he had buried the skull, Ure Honu shot into the house like a lizard. He lifted up the one side of the house. Then Ure Honu let it fall down again; he had found nothing. Ure Honu called, 'Dig up the ground and continue to search!' The search went on. They dug up the ground, and came to where the king was. The king (was still) sitting on the stone. They lifted the king off to the side and let him fall. They lifted up the stone, and the skull looked (at them) from below. They took it, and a great clamour began because the skull had been found. Ure Honu went around and was very satisfied. He took it and left with his people. Ure Honu knew that it was the skull of the king (puoko ariki) ...

The Marquesan dialect has pae for pare. A hare paega has the shape of the sky dome and in front of it is a two-dimensional representation (like its shadow) in form of paega:

At the ancient site of Orongo a weeping god is depicted (cfr at hua poporo):

Also Posnansky (cfr at vai) was right. He was certain that the motive of the 'weeping eye' in South America was a way of showing how the eye of the sun god was quickly moving. Time is beginning when sky and earth separates, when the dark cloth of winter (the primal embrace) is forced away. With 'dawn' comes the 'cock crying out' (moa), and according to the Moriori fishermen his tears are caused by Sky lamenting for his lost wife (his winter maid far north). And these tears came after the separation was complete.

The hipu fists of pare should belong not in winter but rather in spring, which explains why the fist are in a low position. Sun has come closer by following his path from a beginning far away in the north. From spring equinox this path happily also goes upwards - otherwise he would burn the island when he reached it.

The myths say Sun's tears will come only after the full separation is accomplished, when the tears will impregnate the dry hot earth. The case is complicated, however.

 

 

If we should have adapted as a model of cosmos 'an hourglass' (Mount Meru), then there should be no 'primal embrace' - the 'letter X' has Sun present more or less high in the sky at all times. We could say, however, that one of his eyes is open towards north and the other towards south, but that they never are open simultaneously. One of them is shutting its 'eyelid' at summer solstice when the lid of the other eye is about to open. Two eyes are seen in my prototype of pare:

pare

The 'whirlpool' at the bottom of the V-forms in X is where 'the door' is opening and closing time and again. Through this opening water flows up and down forming the tides and reversing direction upon the command of the Moon. With an Y-model it is probable that the idea of a whirlpool has a place also there. It should be at the bottom of the figure V (five, fire) in Y. If so, then 'water' should be below. And when Sun returns from the water, rising up again as if in a waterspout, he returns through the same hole (at Alnilam where the boiling 'pearls' moving upwards are quite similar to teardrops moving downwards). Though in time it is different, 'the eye' has been closed during winter.

A 'whirlpool' is located between Scorpius and Sagittarius, says Hamlet's Mill:

"All 'change stations' are found invariably in two regions: one in the South between Scorpius and Sagittarius, the other in the North between Gemini and Taurus; and this is valid through time and space, from Babylon to Nicaragua. Why was it ever done in the first place? Because of the Galaxy, which has its crossroads with the ecliptic between Sagittarius and Scorpius in the South, and between Gemini and Taurus in the North."

Once again, the round Dendera zodiac as a map for orientation:

Between and below Gemini and Taurus there is a great blue figure, and he is walking (like the 2nd of the black twins above), which presumably means time is moving (from a standstill at the preceding blue figure). A star chart will show that the great blue figure probably is Orion.

At Orion there is an important point in the sky, where the Galaxy rises like a tree from the the ecliptic path of the Sun. Moreover, today this point also coincides with the maximum height of the ecliptic over the equator of the sky (6 hours after Sun has risen at spring equinox north of the equator). Some 26000 / (24 / 6) = 6500 years ago the maximum height would have been between Cancer and Gemini, but the Galaxy would have crossed the ecliptic as today, between Gemini and Taurus. Gemini seems to represent the two halves of the sky, one of them standing still (winter) and the other moving (summer).

The other point, between Scorpius and Sagittarius lies 18 hours after spring equinox and the 'galactic tree' is here (today) crossing the ecliptic at is lowest point below the sky equator.

Aquarius comes close to 'midnight' (22 - 23 hours after spring equinox), i.e. he comes after the 'whirlpool'. Maybe it means the water from the pool has risen high when we arrive at Aquarius.

Sagittarius is shooting his arrow into the whirlpool, we can guess. Surely this arrow is nothing else than the Cosmic Tree once again (the Galaxy). The arrow causes the water to react. But if so, then time is running according to the Moon. Satit is shooting her arrow in the correct order, viz. before the whirlpool (if time runs counterclockwise). Sun is not causing the waters to rise, it is the work of Moon.

From which follows that Aquarius comes before Sagittarius and the whirlpool. Likewise Khnum (in the darkest of times) precedes Satit. Time moves towards the rising Sun. At the beginning of time there was only darkness (water). Khnum and Aquarius are 6 months apart, one representing the underworld and the other water. Counting counterclockwise from Khnum 10 months are needed to reach Aquarius.