TRANSLATIONS

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We cannot finish the toki chapter without briefly looking at the beginning of side a on Keiti. It has a variety of toki glyphs. At hahe it was mentioned that it begins with 7 glyphs which maybe represent the planets:

Ea1-1 Ea1-2 Ea1-3 Ea1-4 Ea1-5 Ea1-6 Ea1-7

Mercury (Ea1-1) would then be depicted as a reversed toki (not bad if we think of toki as an emblem of male power). The lower part of toki in Ea1-6 possibly has an extra sign, possibly from the Moon. And then follows a clearly atypical toki as the left arm of Mars (honui) in Ea1-7.

Sun in Ea1-5 carries a tao sign. Another such glyph - presumably related - comes not far before toki hipu in Eb7-2:

Eb6-20 (530)

Eb6-21

Eb6-22

Eb6-23

Eb6-24

Eb6-25

Eb6-26

Eb6-27

Eb6-28

Eb6-29 (539)

Eb6-30

Eb6-31

Eb6-32

Eb6-33

Eb6-34

Eb6-35

Eb6-36

Eb7-1

Eb7-2 (548)

The distance between the 'planetary sequence' and the trio Eb6-28--30 is 530 glyphs:

530

Ea1-5 Ea1-6 Ea1-7

Eb6-28

Eb6-29 (539)

Eb6-30

5 * 30 = 150, but also 53 is a number we recognize, e.g. from Tahua:

3

53

520 752
1279 1280 1334 1 522 1275
2 * 29 522 = 18 * 29 754 = 26 * 29

Immediately beyond the 'planetary sequence' (Ea1-1--7) there are 99 glyphs distributed in 10 'sentences':

1 8 48 = 3 * 16 6 10 51 = 3 * 17
2 8 7 11
3 9 8 7
4 12 9 11
5 11 10 12

Many toki glyphs are among these 99. An overview is delivered here. It should also be noted that 7 + 99 = 106 = 2 * 53.

 

 

1
Ea1-8 Ea1-9 Ea1-10 Ea1-11 Ea1-12
Ea1-13 Ea1-14 Ea1-15
2
Ea1-16 Ea1-17 Ea1-18 Ea1-19 Ea1-20
Ea1-21 Ea1-22 Ea1-23
3
Ea1-24 Ea1-25 Ea1-26 Ea1-27 Ea1-28 Ea1-29
Ea1-30 Ea1-31 Ea1-32
4
Ea2-1 Ea2-2 Ea2-3 Ea2-4 (36) Ea2-5 Ea2-6
Ea2-7 Ea2-8 Ea2-9 Ea2-10 Ea2-11 Ea2-12
5
Ea2-13 Ea2-14 (46) Ea2-15 Ea2-16 Ea2-17
Ea2-18 Ea2-19 Ea2-20 Ea2-21 Ea2-22 Ea2-23
6
Ea2-24 Ea2-25 Ea2-26 Ea2-27 (59) Ea2-28
Ea2-29 Ea2-30 Ea2-31 Ea2-32 (64) Ea2-33
7
Ea3-1 Ea3-2 Ea3-3 (68) Ea3-4 Ea3-5 Ea3-6
Ea3-7 Ea3-8 Ea3-9 Ea3-10 Ea3-11
8
Ea3-12 Ea3-13 Ea3-14 Ea3-15 (80) Ea3-16 Ea3-17 Ea3-18
9
Ea3-19 Ea3-20 (85) Ea3-21 Ea3-22 Ea3-23 Ea3-24
Ea3-25 Ea3-26 Ea3-27 Ea3-28 Ea3-29
10
Ea3-30 Ea3-31 (96) Ea3-32 Ea3-33 Ea3-34 Ea3-35
Ea4-1 (101) Ea4-2 Ea4-3 Ea4-4 Ea4-5 Ea4-6

There are 5 * 7 = 35 toki signs among these 99 glyphs, distributed as 16 + 19. And 99 - 35 = 64:

1 8 2 48 = 3 * 16

16

6 10 5 51 = 3 * 17

19

2 8 2 7 11 5
3 9 4 8 7 3
4 12 4 9 11 3
5 11 4 10 12 3
48 - 16 = 32 51 - 19 = 32

Among the toki signs there are 15 tagata toki, leaving 20 other toki which possibly could contribute to some kind of day (or rather night) structure.

Furthermore, toki hipu in Eb7-2 is glyph number 548 counted from Ea1-1, and maybe the 99 - 35 = 64 other (than toki) glyphs are meant to indicate those nights which otherwise tend to be located at the end of side b on tablets.

450 = 3 * 150

Ga1-29 (30)

Ga1-30

Ga2-1

Eb7-1

Eb7-2 (548)

94

95

96 = 64 + 32

547

3 * 182½ +

 

 

15 tagata toki glyphs together with Ea2-14 at position 46 (= 2 + 18 + 26 = 100 - 64) are our main interest for the moment:

Ea1-8 Ea1-16 Ea1-24 Ea2-1
Ea2-13 Ea2-14 (46 = 100 - 64) Ea2-15 Ea2-16
Ea2-24 Ea2-25 Ea2-26 Ea2-27 (59 = 123 - 64)
Ea3-1 Ea3-12
Ea3-19 Ea3-30

Ea3-19 and Ea3-30 obviously exhibit another type of toki than the rest. I guess they could indicate a darkness kind of toki. The reversal of such a toki sign could then indicate a final of darkness:

Ea1-7 Ea1-9

Possibly we should add 59 instead of 64, for this kind of toki. 7 + 59 = 66 and 9 + 59 = 68. Furthermore:

9
Ea3-19 (84) Ea3-20 Ea3-30 Ea3-31 (96) Ea3-32
84 + 59 = 143 144 = 12 * 12 95 + 59 = 154 155 156

At rau hei we found tao in Ga1-25 (day 26 + 64 = 90) to probably be connected with spring equinox:

242
Ga6-25 Gb6-26 (1)
winter solstice
242
Gb1-25 Ga1-25 (90)
spring equinox

Tao in Ga1-25 evidently forms a pair with tao in Ga1-22. Tagata toki in Ea3-30 (where 3 * 30 = 90) is followed by a pair of tao glyphs, and 3 * 32 = 96 is the ordinal number (counted from Ea1-1) for Ea3-31. Also, 154 - 64 = 90.

 

 

After having taken care of the 2 'dark toki' there are 12 + 2 = 14 glyphs remaining:

Ea1-8 Ea1-16 Ea1-24 Ea2-1
Ea2-13 Ea2-14 (46 = 100 - 64) Ea2-15 Ea2-16
Ea2-24 Ea2-25 Ea2-26 Ea2-27 (59 = 123 - 64)
Ea3-1 (66 = 130 - 64) Ea3-12 (77)

Ea3-1 and Ea3-12 show signs of darkness (though they have 'normal toki' glyphs, not the kind I have labelled 'dark toki'). The tiny hau tea in Ea3-1 has no mata and there is only a single mata at right in Ea3-12, as if a dark time was on its way to end:

7
Ea3-1 Ea3-2 Ea3-3 (68) Ea3-4 Ea3-5 Ea3-6
Ea3-7 Ea3-8 Ea3-9 Ea3-10 Ea3-11
8
Ea3-12 Ea3-13 Ea3-14 Ea3-15 (80) Ea3-16 Ea3-17 Ea3-18

Vae in Ea3-13 and the 'midnight henua' in Ea3-15 ('one more' than 3.14 * 100) probably are indicating that once again light will return. 80 + 64 = 12 * 12.

If we return to the beginning of what presumably is a calendar for the year we find a gradual development of the (Sun) toki signs in the first line:

7 7 7
Ea1-8 Ea1-16 Ea1-24

3 (as the number of tagata toki in line Ea1) is a sign for spring and the person in Ea1-24 is 'eating' (kai). A gap in time is the central sign in Ea1-16 and a turnover (upside down) sign is seen in Ea1-8.

The single rather flat toki at right in Ea1-8 should be in the position when the 'hourglass' is turned upside down. At right in Ea1-16 the same kind of toki is thinner, taller and separated. Its left part is a vero (sky without any light) - the new year is emerging from the 'primal embrace' (where there cannot be any light).

In Ea1-24 the development has lead further. Light has returned (the kai sign) and the central toki in Ea1-16 has changed into a more normal sign. The added sign 'flat at bottom' seen in the 2 toki in Ea1-16 is no longer present in the single toki in Ea1-24.

8 glyphs later, in Ea2-1, a very similar (though not exactly the same) toki is drawn at right, but kai has disappeared and a small toki sign taken its place:

4
Ea2-1 Ea2-2 Ea2-3 Ea2-4 (36) Ea2-5 Ea2-6
Ea2-7 Ea2-8 Ea2-9 Ea2-10 Ea2-11 Ea2-12

The half reversed moe in Ea2-24 seems to indicate a kind of reversal at what could be day 100 (= 36 + 64).

A complex pattern of the autumn generative process presumably is the subject of the remaining tagata toki glyphs:

5
Ea2-13 Ea2-14 (46) Ea2-15 Ea2-16 Ea2-17
Ea2-18 Ea2-19 Ea2-20 Ea2-21 Ea2-22 Ea2-23
6
Ea2-24 Ea2-25 Ea2-26 Ea2-27 (59) Ea2-28
Ea2-29 Ea2-30 Ea2-31 Ea2-32 (64) Ea2-33

Ihe tau in Ea2-32 obviously is an important 'land mark'. 2 * 32 = 64 and we should compare with Ea1-32 and Ea4-6:

period number 3
7
Ea1-31 Ea1-32
period number 6
8
Ea2-32 (64) Ea2-33
period number 10
10
Ea4-5 Ea4-6 (106 = 64 + 42)