TRANSLATIONS

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How can the first of the two tables below be harmonized with the second?

 

summer

Ka4-14

Ka4-15

*Kb2-15

*Kb2-16

spring equinox autumn equinox

 

11 6 17
11 11
Ka5-8 Ka5-9 Kb1-7 *Kb1-20 *Kb1-21
0 1 13 25 26

The first table covers a longer period than the second and the second can be included in the first table:

 

6 4 11 6

17

2

20

8 11 *11

*15

Ka4-15

Ka5-8 Ka5-9 Kb1-7 *Kb1-20

*Kb1-21

*Kb2-15

-

0 1 13 *25

*26

*42

1 10 11 23 *35

*36

*52

9 glyphs high summer (26 glyphs)

17 glyphs

'High summer', from Ka5-8 to *Kb1-20, has 26 glyphs, i.e. half the total summer season (beginning with Ka4-15 and ending - after *52 glyphs - with *Kb2-15. Notice how 26 and 36 agree in location, likewise 42 and 52.

The odd-numbered 9 and 17 glyphs before respectively after high summer together also are 26 glyphs. Summer solstice (Kb1-7) arrives earlier than the midpoint of summer (according to the calendar in K). Either Kb1-7 is at summer solstice (probable) and then mago and humpback cannot be at the equinoxes,  or - alternatively they are at the equinoxes and then Kb1-7 cannot be at summer solstice.

I guess Kb1-7 is at summer solstice. But then I have to change what is written in the glyph dictionary. And that I won't do until I know more. So, let's go on!

First, I notice how *Kb2-15 also could be a 'determinant':

*Kb2-14

*Kb2-15

*41

*42

*51

*52

But I guess *Kb2-14 is mainly presented in order to follow the development, to give an intact henua before things start to happen:

20
*Kb2-12 *Kb2-13 *Kb2-14 *Kb2-15
21
*Kb2-16 *Kb2-17 *Kb2-18
22
Kb3-1 Kb3-2 Kb3-3 Kb3-4 Kb3-5 Kb3-6
23 Kb3-8 (with reversed henua) has a reversed leg comparted to what we see in *Kb1-22:

Kb3-7 Kb3-8

Kb3-1--2 seem to be alluding to Ka5-8--9, how high summer is evaporating in the season of the 'humpback'. Notice that the order in the pair is the same - not reversed:

11 *11

Ka5-8 Ka5-9 Kb1-7 *Kb1-20
0 1 13 *25
10 11 23 *35
high summer (26 glyphs)

*13

3

*Kb1-21

*Kb1-22

*Kb2-14

*Kb2-15

Kb3-1 Kb3-2

*26

*27

*41

*42

*46

*47

*36

*37

*51

*52

*56

*57

17 glyphs

5 glyphs

The ordinal number for Kb3-8 is 63, i.e. number 26 ahead of *Kb1-22:

*13

3 5

*Kb1-21

*Kb1-22

*Kb2-14

*Kb2-15

Kb3-1 Kb3-2 Kb3-8

*26

*27

*41

*42

*46

*47

*53

*36

*37

*51

*52

*56

*57

*63

17 glyphs

11 glyphs

I think we should take a quick look at all henua glyphs in K. Among them there are 3 great ones which we already have noticed above (redmarked below):

Ka1-3 Ka1-7 Ka2-2 Ka2-7 Ka2-8 Ka3-21
Ka4-3 Ka4-7 Ka4-10 Ka4-12 Ka4-15 Ka5-1
Ka5-3 Ka5-5 Ka5-7 Ka5-9 Ka5-10 Ka5-12
Kb1-1 Kb1-3 Kb1-6 Kb1-10 Kb1-16 Kb1-102
Kb1-104 Kb2-2 Kb2-101 Kb2-102 Kb2-103 Kb2-104
Kb2-106 Kb2-109 Kb2-110 Kb2-112 Kb2-113 Kb3-2
Kb3-6 Kb3-8 Kb3-10 Kb3-13 Kb3-15 Kb3-16
Kb4-1 Kb4-2 Kb4-5 Kb4-9 Kb4-14 Kb5-101
 
Kb5-102 Kb5-104 Kb5-202 Kb5-304

Kb5-101 = *Kb5-2 probably belongs to next year and is shorter:

 
...
Kb4-19 *Kb5-2 *Kb5-3

Inside the current year, though, we have Kb4-2, a glyph which seems to describe how a spiritual henua (Kb4-1) is transformed into a spiritual ihe tau (Kb4-3) - we are in Hiva. The 5 glyphs in period 27 (beyond the stations of the current king - 25 and 26) ends with a reversed henua (Kb4-5), we probably are in the land of the future king:

27
Kb4-1 Kb4-2 Kb4-3 Kb4-4 Kb4-5
28  
Kb4-6 Kb4-7 Kb4-8 Kb4-9
29
Kb4-10 Kb4-11 Kb4-12 Kb4-13 Kb4-14
30  
Kb4-15 Kb4-16 Kb4-17 Kb4-18

We must try to complete our table of the K calendar at its end, but then we need also periods 24-26:

24 Mauga Hau Epa?
Kb3-9 Kb3-10
25 Oromanga?
Kb3-11 Kb3-12 Kb3-13
26 Hanga Moria One?
Kb3-14 Kb3-15 Kb3-16

 

3 22 5 23 5 26
Kb3-1 Kb3-2 Kb3-8 Kb3-14 Kb3-15

*46

*47

*53 *59 *60
18 glyphs

We now can understand why Kb3-14 appears, with a determinant glyph indicating 'death':

11 *44 22 11 26
Ka5-8 Ka5-9 Kb3-1 Kb3-2 Kb3-14 Kb3-15
0 1 *46 *47 *59 *60

Yet, there is no spiritual sign - the ruling king is always a living king. The determinant glyph in all three instances comes first, a sign of the male.

The discovery of the pair 'king' + henua surviving in the same order beyond the 'mirror' at the center of summer presumably means that the 'mirror' is only apparent. At 'noon' the female takes charge of business, and as she always comes second, it appears as if there was a mirror at midsummer - the determinant glyphs suddenly comes after instead of before.

But even a ruling king must die, go away, disappear:

Kb3-16

Then follows what seems to be a spiritual travel to Hiva:

27 Papa O Pea? 28 Ahu Akapu?

Maybe the new ruler is pictured in Kb4-15?

Kb4-15 Kb4-16