... The standard tara glyph type - without extra signs in form of 'toes', 'deformities' etc - stands at winter solstice and means 'point of return' ...

Ga1-29, immediately before the 1st Rei in the text, is showing a 'ghost' - presumably the old year. The ordinal number (29) says it is in the pitch black phase.

In K we found a pattern with viri glyphs on one side and Rei on the other side:

Ka2-5, the last viri (and 29th glyph on side a), is followed by the first Rei 5 glyphs later:

In G the corresponding viri is Ga1-26 (the 26th glyph on side a), followed by the first Rei 4 glyphs later. 365 - 360 = 5 and 364 - 360 = 4. Ka2-9 is no ghost, but the ordinal number (9) corresponds to the ordinal number of the 'ghost' (29) - 9 for the sun and 29 for the moon. In K these glyphs seem to tell about the rebirth of the sun and in G about the rebirth of the moon.

Maybe this explains why instead of tara a special marama with a point is used in Ga1-19. Ga1-26 possibly also alludes to the moon. While both numbers (19 and 26) tell about the sun. In Ea2-17 and Pa6-29 ordinal number 17 tells about the passed away growing moon phase and 29 about the passed away fading moon phase. Ga1-18 looks much like an inverted Pa6-29. Only one eye is left:

Ea2-17	Pa6-29	Ga1-18

Are there any Rei glyphs among the 145 beyond viri in Pb9-21? And is there in G a pattern with viri on one side and Rei on the other? The first question should be easy to answer. However, we immediately walk into the problem of the missing Rei in Saturday:

Hb9-51	Hb9-52	Hb9-53	Hb9-54	Hb9-55	Hb9-56	Hb9-57	Hb9-58
Pb10-55	Pb10-56	Pb11-101	Pb11-102	Pb11-103	Pb11-104	Pb11-105
		*Pb11-1	*Pb11-2	*Pb11-3	*Pb11-4	*Pb11-5

The number of glyphs in line Pb11 surely must be *60. Therefore there cannot be any glyph between Pb10-56 and Pb11-101, nor any between Pb11-105 and Pb11-201. In H are Rei in Hb9-56 and manu rere in Hb9-58, and neither of these glyph types are found in Saturday according to P. On the other hand, Pb11-01 (a spooky henua with concave side to the right, indicating sun at left) has no parallel in H.

Either the explanation is that Rei is missing in Saturday according to P because it would have disturbed the 145-glyph pitch black season or it is inserted as an extra not necessary glyph in Saturday according to H because it was needed to deliver a message about a new season (next week) generated in the last day of the old week.

Near the end of the P text there anyhow appear two Rei glyphs:

Pb11-239	Pb11-240	Pb11-241	Pb11-242	Pb11-243	Pb11-244
*Pb11-44	*Pb11-45	*Pb11-46	*Pb11-47	*Pb11-48	*Pb11-49
Pb11-245	Pb11-246	Pb11-247	Pb11-248	Pb11-249	Pb11-250
*Pb11-50	*Pb11-51	*Pb11-52	*Pb11-53	*Pb11-54	*Pb11-55
Pb11-251	Pb11-252	Pb11-253	Pb11-254	Pb11-255
*Pb11-56	*Pb11-57	*Pb11-58	*Pb11-59	*Pb11-60

The two Rei glyphs define a 12-glyph long measure:

	1011		11		120		10
Pa1-1		Pb9-21		Pb9-33		*Pb11-48		*Pb11-59	*Pb11-60
1		1013		1025		1146		1157	1158

145 - 13 = 132 = 12 * 11 is the distance beyond Pb9-21 up to (but not including) *Pb11-48. Counted from Pb9-33 it is 132 - 12 = 120, a more significant measure. Counted to the 2nd Rei the distances are 132 - 11 = 121 (= 11 * 11) respectively 120 - 11 = 109 (a prime number). 1146 = 6 * 191 and 1157 = 13 * 89. The Rei glyphs in P have not given us any remarkable results earlier and we should not expect to find them here - numerical relations between viri and Rei seem unnatural: dark and light do not mix with good results.