Mamari appears again, but now at a different place in its text. And then at Cb4-2 it looks as if the parallel text was finished. But it continues, as will be seen on next page. The differences between the glyphs in these parallel texts are so large as to raise doubts whether they really are parallel texts. The continuity at left and right does, however, make it probable that the texts indeed are parallel. The parallels together then makes it possible to also add three parallel glyphs from Keiti.