 |
 |
 |
 |
 |
|
Ab3-8 |
Ab3-9 |
Ab3-10 |
Ab3-11 |
Ab3-12 |
| o te
manu ariga tia tu |
tagata noho hia
- ma te maro |
ma te
nuku - maś
maro |
ma te
tagata -
maś maro |
e
nuku hoi - ma te
maro |
 |
 |
 |
 |
|
Ab5-17 |
Ab5-18 |
Ab5-19 |
Ab5-20 |
| o te
manu kake rua - ko te
maro |
o te vai ako ma
te ragi huki - o te
maro |
ko te
nuku
vae - ko te
maro |
o te
vae - ko
te vae oho - ko te maro |
|
- |
 |
 |
 |
 |
 |
 |
| |
Ha3-32 |
Ha3-33 |
Ha3-34 |
Ha3-35 |
Ha3-36 |
Ha3-37 |
|
- |
 |
 |
 |
 |
 |
| |
Pa3-24 |
Pa3-25 |
Pa3-26 |
Pa3-27 |
Pa3-28 |
|
- |
 |
 |
 |
 |
 |
 |
| |
Qa3-19 |
Qa3-20 |
Qa3-21 |
Qa3-22 |
Qa3-23 |
Qa3-24 |
And now we must take a deep breath and prepare for the next level
of complexity: It all continues, but now with
also Large Santiago, Large St Petersburg and Small St
Petersburg having internal parallels: the text in row a3 is mirrored
or rather repeated with minor changes after a glyph like 'a bird
singing dacapo'!
|