TRANSLATIONS

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There is another sign in front of the 'bee' (bit, the Egyptian name of the insect):

According to Wilkinson the sign depicts sedge (nesu), and one of the names of pharaoh was nesu-bit, 'he of sedge and bee':

Sedge was a sign for Upper Egypt and the bee a sign for the red crown of pharaoh, symbolizing Lower Egypt.

Although Wilkinson admits that the role of the bee in this connection is 'not quite fully understood' (i.e. the experts are totally in the dark), I think its role should be fairly easy to understand:

1. Manu rere (GD11), I have suggested, represents the 'top bird' - a fitting description of pharaoh.

... Several of the early missionaries comment with a fine sense of humor upon the mistake the islanders made in calling the cow when first seen a bird. This is the word which led the good missionaries into the error of their own ignorance. Manu is as wholesale in its signification as our word animal, it is generic. In the paucity of brute mammalia the first missionaries found this general term most frequently used of birds, and it was their and not a Polynesian mistake to translate manu into bird. In the material here collected it will be seen that the significations animal and bird are widely extended. In the Paumotu insects are included; the same is true of Mota, where manu signifies beetle as well as bird ...

2. The role of pharaoh is to ensure growth, to take on the habit of the insect.

... From a religious point of view, the high regard for flies, whose increase or reduction causes a similar increase or reduction in the size of the human population, is interesting, even more so because swarms of flies are often a real nuisance on Easter Island, something most visitors have commented on in vivid language. The explanation seems to be that there is a parallel relationship between flies and human souls, in this case, the souls of the unborn. There is a widespread belief throughout Polynesia that insects are the embodiment of numinous beings, such as gods or the spirits of the dead, and this concept extends into Southeast Asia, where insects are seen as the embodiment of the soul ...
... Although this species of fig requires the presence of the symbiotic wasp Ceratosolen arabicus to reproduce sexually, and this insect is extinct in Egypt, Zohay and Hopf have no doubt that Egypt was 'the principal area of sycamore fig development ...

3. The necessary 'sting' of pharaoh (to enforce his will, should there be any dissension) is his vero (as if he was a gladiator):

sedge ... coarse grassy rush-like or flag-like plant ... IE. *sek-, repr. by L. secāre ... For the etymol. notion of 'plant with cutting edge', cf. L. gladiolus (f. gladius sword), which the OE. word renders in glosses, and OE. sećģ fem., sword ... (English Etymology)

Pharaoh has two 'swords' - one at the front (nesu) and one at the end (bit) - nesubit = 'the two swords'.

4. Pharaoh resembles the sun in his force and splendour, therefore he must (like the sun) be 'disarmed' ('off with his head') at summer solstice.

Wilkinson: "In spite of the positive associations and beneficient usefulness it was still an insect which could sting. In the pictures, as well as in hieroglyphic writing, they had often, therefore, systematically deleted the head of the insect to make the picture harmless ..."

I think this was a stupid remark. Everyone knows that the sting of an insect is located at the other end of its body. The sting may still be there in the picture (cfr comments at p. 5 below). Instead, the probable meaning of the loss of its head is that the 'wasp' must die inside the fig in order for a proper growth. That is necessary.

"... The fig fruit is in fact an enclosed inflorescence, sometimes referred to as a syconium, an urn-like structure lined on the inside with the fig's tiny flowers. The unique fig pollination system, involving tiny, highly specific wasps, know as fig wasps that enter these closed inflorescences to both pollinate and lay their own eggs, has been a constant source of inspiration and wonder to biologists ..." (Wikipedia)

5. The legs of insects are 6 in number - as everone knows - yet in the Egyptian bit pictures they have only 4 legs, a sign that the insect in question is a symbol (not a picture of the real insect).

Here the intact insect has its sting clearly located at its end. 4 legs are in contact with the ground and 2 legs (though only 1 is seen) are uplifted.

Between the front 'body' (i.e. not the head but the middle oval) and the back 'body' an interesting sign is seen, as if it was the sun itself hiding on the back side of the bit. In the headless variant above, sun has disappeard together with the head. On the other hand, a diamond shape (possible meaning the fertilized land) is formed by the back leg and the outline of the back 'body'.

We now can guess why there are only 4 'limbs' in Aa1-5--8:

They represent those legs of the 'sun insect' which are in contact with earth. The 'elbows' oriented leftwards means that the 'head' of the sun is at right (i.e. at summer solstice).

6. The number patterns must be considered, and we find (in Wilkinson's examples of swarms of bees) 10 + 2 = 12 and 10 + 1 = 11, where (probably) 10 means the full amount of sun.

According to Wilkinson both the horizontal 'barrels' at bottom (8) and the vertical containers at the top (6) are bee-hives. Earth is horizontal in the bottom picture, while in the honey-gathering phase (the top picture) earth is leaning downwards. We therefore ougth to read the bottom picture first - solstice comes before 'p.m.'. The bottom picture (with 8 'barrels' and 10 'bees' at right) obviously refers to the sun, while the top picture has 6 containers at left (meaning 'past') and 7 + 3 'bees' at right, presumably referring to the 2nd half of the year, ruled by the moon. The 6 containers at left have signs which we count to 7. These signs are not distributed randomly and there certainly is more informatin to be gained from the pictures.

"... the bee was ... a suitable symbol for the fruitfulness and generosity of nature. And in the Book of Gateways it is said that when the sun god enters into the first 'circle' of the eighth 'hour' in the underworld, the gods Tem, Chepri, and Schu - which all in one or the other way symbolize this quality - respond to the great Ra with a voice which resembles the hum from many bees ..."