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This is a map of the equatorial sky which I found in The Raw and the Cooked:

At bottom left we find Scorpio ("the big snake" in South America according to The Raw and the Cooked). I have the idea that Scorpio could be the origin of GD26:

Although 'the big snake' does not appear - in the map above - as a creature with a big jaw, I think the flexible jaws of an anaconda (appropriately living in the water, but like the whales needing to breathe once in a while) can manage giant swallows.

Lockyer (we perhaps remember) has thought about Scorpio:

'... A Scorpion-Man plays also another part in the cosmology of the Babylonians. The Scorpion-Man and his wife guard the gate leading to the Maśu mountain(s), and watch the sun at rising and setting. Their upper part reaches to the sky, and their irtu (breast?) to the lower regions (Epic of Gistubar 60,9). After Gistubar has traversed the Maśu Mountain, he reaches the sea. This sea lies to the east or south-east. 

However obscure these conceptions may be, and however they may render a general idea impossible, one thing is clear, that the Scorpion-Men are to be imagined at the boundary between land and sea, upper and lower world, and in such a way that the upper or human portion belongs to the upper region, and the lower, the Scorpion body, to the lower. Hence the Scorpion-Man represents the boundary between light and darkness, between the firm land and the water region of the world.

Marduk, the god of light, and vanquisher of Tiamat, i.e. the ocean, has for a symbol the Bull = Taurus, into which he entered in spring. This leads almost necessarily to the supposition that both the Bull and the Scorpion were located in the heavens at a time when the sun had its vernal equinox in Taurus and its autumnal equinox in Scorpio, and that in their principal parts or most conspicuous star groups; hence probably in the vicinity of Alderbaran and Antares, or at an epoch when the principal parts of Taurus and Scorpio appeared before the sun at the equinoxes.  [Cited from Jensen in his 'Kosmologie der Babylonier']

If my suggestion be admitted that the Babylonians dealt not with the daily fight but the yearly fight between light and darkness - that is, the antithesis between day and night was expanded into the antithesis between the summer and the winter halves of the year - then it is clear that at the vernal equinox Scorpio setting in the west would be watching the sunrise; at the autumnal equinox rising in the east, it would be watching the sunset; one part would be visible in the sky, the other would be below the horizon in the celestial waters. If this be so, all obscurity disappears, and we have merely a very beautiful statement of a fact, from which we learn that the time to which the fact applied was about 3000 BC, if the sun were then near the Pleiades ...'

Further earlier information (from Allen):

'... The Akkadians called it [Antares] Girtab, the Seizer, or Stinger, and the Place where One Bows Down, titles indicative of the creature's dangerous character; although some early translators of the cuneiform text rendered it the Double Sword. With later dwellers on the Euphrates it was the symbol of darkness, showing the decline of the sun's power after the autumnal equinox, then located in it. Always prominent in that astronomy, Jensen thinks that it was formed there 5000 BC, and pictured much as it now is; perhaps also in the semi-human form of two Scorpion-men, the early circular Altar, or Lamp, sometimes being shown grasped in the Claws, as the Scales were in illustrations of the 15th century ...'

And my own reflections:

'Perhaps the shape of Y originated in the claws of Scorpio? The Lamp (= sun?) was grasped in these claws. The ancient Egyptians connected Antares (and also α Centauri) with Selket (picture from Lockyer):

Here, possibly, the egg of the sun is seen secured between the 'horns' of Selket. Notice also that the sun-symbols on her back are 36, whereof we can see 3 * 6 = 18. Those are certainly her eggs (the next years periods). Checking where scorpions carry their eggs I find that she indeed carries her spawn of her back (picture from Brehm "Djurens liv"):

But this one (from the Philippines) carries 34 youngsters on her back. Eggs are never there on her back, the eggs are hatched at once after birth. Certainly the ancient Egyptians knew that. Is it a coincidence that there are 9 straws visible at the base of her tail?'

In The Raw and the Cooked we can read about the Pleiades (who define the beginning of the year):

"... it will be remembered that the myth [no. 124 out of 187 discussed in the book] ends with the episode of the hero's brothers disporting themselves in water to the west, after which 'they appear in the heavens, new and clean, as Sururu, the Seven Stars (the Pleiades).'

In his monograph on the Sherente, Nimuendaju (6, p. 85) makes it clear that Asare [the hero in the myth] is the star χ of the Orion constellation [close to the feet of Gemini], and that in native thought the χ of Orion is in opposition to the Pleiades: the former is associated with the deified sun and with the 'foreign' clan Prase belonging to the Shiptato moiety; the Pleiades are associated with the deified moon and the 'foreign' clan Krozake belonging to the Sdakran moiety ...

... it is clear from M124 that the two constellations both stand in the same relation to the contrast between the rainy season and the dry season, since their return coincides with the beginning of the latter. An unexplained detail in the myth confirms the association: Asare's brothers try in vain to quench his thirst by cracking open nuts of a tucum palm (Astrocaryum) so that he can drink the water inside.

Remember how the Hawaiians had a ceremony of 'breaking the coconut' at the rising of the Pleiades. (Remarkably, 'astro' - in Astrocaryum - means star.)

"... Aguaje palm-bast (Mauritia flexuosa, Mauritia minor, or swamp palm) and the frond spears of the Chambira palm (Astrocaryum chambira, A. munbaca, A. tucuma, also known as Cumare or Tucum) have been used for centuries by the Urarina of the Peruvian Amazon to make cordage, net-bags hammocks, and to weave fabric.

Among the Urarina, the production of woven palm-fiber goods is imbued with varying degrees of an aesthetic attitude, which draws its authentication from referencing the Urarina’s primordial past. Urarina mythology attests to the centrality of weaving and its role in engendering Urarina society. The myth of post-diluvial creation accords women’s weaving knowledge a pivotal role in Urarina social reproduction. Even though palm-fiber cloth is regularly removed from circulation through mortuary rites, Urarina palm-fiber wealth is neither completely inalienable, nor fungible since it is a fundamental medium for the expression of labor and exchange. The circulation of palm-fiber wealth stabilizes a host of social relationships, ranging from marriage and fictive kinship (compadrazco, spiritual compeership) to perpetuating relationships with the deceased ..." (Wikipedia)

Now, further to the southwest (latitude 18° to 24° S), about the middle of the eighteenth century, the Caduveo used to observe important feast days in mid-June, in connection with the return of the Pleiades and, according to an early nineteenth-century source, with the ripening of the palm nuts (Acrocomia; Ribeiro I, p. 68) ...

... In connection with the Sherente [from which the myth of Asare arrives], we have extremely detailed information to help understand the text of M124 which, from the astronomical point of view, is rather puzzling.

They count the months by lunar periods, and their year begins in June with the appearance of the Pleiades, when the sun is leaving the constellation of Taurus. They call the Pleiades Sururu, and this constellation is known to all natives of Brazil.

About a week later appear the pluvias Hyades and Orion's swordbelt, also known to the Sherente. When these stars appear in the morning, it is believed to be a sign of wind.

Various legends are related about the Pleiades. Their heliacal rising (before the sun) and also their cosmic rising (with the sun) are observed. Between two such risings of Sururu the Sherente count thirteen moons (thirteen oá-ité), and this forms a year = oá-hú ( 'collection'?).

They divide the year into two parts: (1) four moons of dry weather, more or less, from June to September; (2) nine moons of rain (á-ké-nan) from September to May. In the first two dry months the large trees of a piece of forest land are felled, to free it for cultivation. In the following two months the ground is cleared by burning the scrub, and then seeds are sowed to profit by the rains at the end of September and October ...

... In Amazonia, the Pleiades disappear in May and reappear in June, thus heralding floods, the molting of birds, and the renewal of vegetation ... the natives think that the Pleiades, during their short period of invisibility, hide at the bottom of a well where the thirsty can come to drink. This well is reminiscent of the one dug by Asare's brothers - who were incarnations of the Pleiades - on order to appease the hero's thirst ..."

If GD26 (tara hoi) is Scorpio, then GD11 (manu rere) should be another constellation:

- -
Aa5-15 Aa5-16 Aa5-17 Aa5-18
Ab7-34 Ab7-35 Ab7-36 Ab7-37 Ab7-38 Ab7-39

The Raw and the Cooked gives the necessary information (which was the origin of my idea that GD26 may be Scorpio):

"... The hero of the Bororo myth [M1] is called Geriguiguiatugo, a name whose possible etymology I have already discussed ... I indicated at that point that the etymology put forward by the Salesians would eventually be confirmed. They break down the name into atugo 'jaguar' (a detail whose significance has been stressed, since the Bororo hero occupies the position of master of fire, like the jaguar in the Ge myths) and geriguigui 'land tortoise' which is also the name of the southern constellation, Corvus. It is therefore possible that Geriguiguiatugo is Corvus, just as Asare is χ Orionis ..."

Corvus is Latin for raven etc we learned from The White Goddess:

'... The Latin Cronos was called Saturn and in his statues he was armed with a pruning-knife crooked like a crow's bill: probably a rebus on his name. For though the later Greeks liked to think that the name meant chronos, 'time' because any very old man was humorously called 'Cronos', the more likely derivation is from the same root cron or corn that gives the Greek and Latin words for crow - corone and cornix.

The crow was a bird much consulted by augurs and symbolic, in Italy as in Greece, of long life. Thus it is possible that another name for Cronos, the sleeping Titan, guarded by the hundred-headed Briareus, was Bran, the Crow-god.

The Cronos myth, at any rate, is ambivalent: it records the supersession and ritual murder, in both oak and barley cults, of the Sacred King at the close of his term of office; and it records the conquest by the Achaean herdsmen of the pre-Achaean husbandmen of Greece. At the Roman Saturnalia in Republican times, a festival corresponding with the old English Yule, all social restraints were temporally abandoned in memory of the golden reign of Cronos.

I call Bran a Crow-god, but crow, raven, scald-crow and other large black carrion birds are not always differentiated in early times. Corone in Greek also included the corax, or raven, and the Latin corvus, raven, comes from the same root as cornix, crow. The crows of Bran, Cronos, Saturn, Aesculapius and Apollo are, equally, ravens ...'