These triple 'waves' may be oriented either way, e.g. Aa6-4 and Ab4-70:
The distance between and arrangement of the waves seems never to be be regular and the appearance varies, cfr e.g. Ab7-70 and Ab6-23:
Sometimes a little 'eye' appears on the 'wave crest', e.g. in Aa3-41 and Aa6-74:
The 'waves' may be close together at one of the ends, like in Aa6-66 and Ab6-61:
It also happens that the orientation is rotated a quarter away from the normal one, as seen in e.g. Aa6-25 and Aa6-35. This kind of rotated glyph must not be confused with GD42 glyphs, which have straight short lines, as in e.g. Aa6-37:
I have, after some hesitation, recognized that there may be glyphs which are combined with GD43, as seen in e.g. Ab6-35 and Aa8-14:
Maybe I should argue for this decision. First I would then refer to the surroundings of Aa8-14, where GD31 appears both three steps ahead and three steps after:
Secondly, I will point out that this hardly is a coincidence, because a similar situation is found in the text of Aruku Kurega (Bb3-19 -- 25):
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