We can now make a new table:

H
P
Q
E

This type of comparison makes it possible to better define where glyph sequences begin and end, here e.g. it is clear that I have ended one glyph too soon in my earlier efforts to divide the Keiti text into meaningful sequences. At the same time notice that there are two vai ora among the preceding glyphs (in the sequence Eb1-9--17).

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