There are 4 clear examples in Tahua of GD33, viz. Aa5-7, Aa8-26, Ab1-1 and Ab7-26:
Although quite similar they are nevertheless not exactly alike. Ab1-1 is harmoniously drawn, but shorter than Ab7-26. Aa8-26 has a thick bottom 'tail' end, whereas Ab7-26 contrariwise has a thick upper 'tail' end. Aa5-7 and Aa8-26 are drawn as if deformed. A special case is Aa8-46; quite different though yet obviously belonging to GD33:
GD33 appers combined with GD17, e.g. in Aa8-65 and Aa7-58:
Having established this fact, we then have to decide about Ab8-60 and Ab8-63:
Influenced by Aa8-65 and Aa7-58 I must unavoidably classify also these two glyphs as alluding to GD33 (especially as they all are written close together in the text).
There remains a few glyphs to discuss. First we have Aa5-77:
I imagine that the upper part may suggest GD33 and have therefore included Aa5-77 as a case of GD33 (in addition to GD28, GD32 and GD35). Then we have Aa5-41:
Here also we have at left GD28. We can see that Aa5-41 is located between Aa5-7 and Aa5-77 which we earlier (see above) have classified as GD33. Therefore I will classify Aa5-41 too as showing the traits of GD33.
The wavy form of GD33 may be suggested in the wavy wing variant of GD11, e.g. as seen in Ab8-14:
But that has not persuaded me to include Ab8-14 (and other wavy wing glyphs) also under GD33. Similarly, there are GD11 glyphs which appear to have a wavy leg-like form, e.g. Ab1-5 (not far from Ab1-1 - see above):
But they are not included also under GD33. Both the wavy wing and the wavy leg may equally well be signs of GD57. Therefore I have included hyperlinks from GD33 to both GD57 and GD29. I have also included a hyperlink as a reference to GD11 so that the user quickly may find these wavy forms of wing and leg. Aa3-43 (GD15):
will not be found that way, however, and therefore it is included also as an example of GD33.
Aruku Kurenga (B) To begin with the obvious glyphs we have Bb9-16 and the right part of the twins Bb11-32--33:
A few less obvious, yet unquestionably belonging to GD33, are Ba3-18 and Ba4-7:
Even less obvious are Bb2-36 and Bb8-5:
Still, I have included them as alluding to GD33. However, we cannot go farther, because then we will arrive to GD29, for example Bb8-33:
Ba6-5 and Bb9-18 may allude to GD33:
Following the decision taken while examining Tahua (see earlier above) I have to classify also the following glyphs as GD33 (in addition to GD15), viz. Ba5-8, Ba8-32, Ba9-19, Bb1-2--3, and Bb3-15:
A special case (also included and also GD15) is Bb12-8:
The strange triplet Ba8-25, Ba8-28 and Ba8-31 are also included as alluding to GD33 (though otherwise presumably examples of GD42):
Then remains a few odd glyphs in combination with GD22 (Ba5-15 and Bb4-3), GD52 (Bb7-15) and GD18-GD19 (Bb11-33--34)
Mamari (C) Ca3-19 is undoubtedly belonging to GD33:
The other examples in Mamari are not so clear, for example Ca13-9 (GD46+GD33+GD24):
Just two more glyphs then remains to mention: the strange Cb2-25 and Cb11-6:
However, a hyperlink leads to GD83 where probably other glyphs may contain allusions to GD33, e.g. Cb5-3:
Échancrée (D) Da2-103 looks similar to Aa8-46 and Ca3-19:
Db3-111 (across the 'chest' of GD17) has a curious head:
Keiti (E) Ea6-22 (GD62) has a typical GD33 bottom part, and as there is no hyperlink to GD62 the glyph is included also as GD33:
Eb7-39 (GD71) has also a GD33 bottom part (though oriented the other way):
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