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4. The Stream which seems to end with a 'Black Cloth' only 8 nights long could represent Venus as Evening Star:

Ga1-7 Ga1-8 Ga1-9 Ga1-10 Ga1-11 (*75)
      Hassaleh (73.6) Almaaz (74.7), Haedus I (74.8)
'May 31 (151) 'June 1 '2 '3 '4
Pleione 1 2 3 4 5 (19)
End of Venus as Evening Star
Ga1-12 Ga1-13 Ga1-14
Haedus II (75.9), ε Leporis (76.0), Cursa (76.4) λ Eridani (76.7) μ Leporis (77.6), ĸ Leporis (78.0), Rigel (78.1), Capella (78.4)
5h (76.1) '6 '7
Pleione 6 7 8
End of the River
Ga1-15 Ga1-16 (*80) Ga1-17 Ga1-18 Ga1-19
  λ Leporis (79.6) Bellatrix, Saif al Jabbar (80.7), Elnath (80.9) Nihal (81.7), Mintaka (82.4)  ε Columbae (82.6), Arneb (83.0), Heka (83.2)
'June 8 '9 '10 '11 'June 12 (163)
Pleione 9 10 11 12 13
Rahu

The origin of this Stream is described in myth as follows:

"Before we move on to many motifs, which will be shown as related to the same 'eddy-field' or whirl, it is appropriate to quote in full a version of the fire and water story from the Indians of Guyana. This not only provides charming variations, but presents that rarest of deities, a creator power neither conceited nor touchy nor jealous nor quarrelsome nor eager to slap down unfortunates with 'inborn sin', but a god aware that his powers are not really unlimited. He behaves modestly, sensibly and thoughtfully and is rewarded with heartfelt cooperation from his creatures, at least from all except for the usual lone exception: 

The Ackawois of British Guyana say that in the beginning of the world the great spirit Makonamia (or Makunaima; he is a twin-hero; the other is called Pia) created birds and beasts and set his son Sigu to rule over them. Moreover, he caused to spring from the earth a great and very wonderful tree, which bore a different kind of fruit on each of its branches, while round its trunk bananas, plantains, cassava, maize, and corn of all kinds grew in profusion; yams, too, clustered round its roots; and in short all the plants now cultivated on earth flourished in the greatest abundance on or about or under that marvellous tree. 

In order to diffuse the benefits of the tree all over the world, Sigu resolved to cut it down and plant slips and seeds of it everywhere, and this he did with the help of all the beasts and birds, all except the brown monkey, who, being both lazy and mischievous, refused to assist in the great work of transplantation. 

So to keep him out of mischief [I have never before thought about this word as it really is, saying: disobeying the chief] Sigu sets the animal to fetch water from the stream in a basket of open-work, calculating that the task would occupy his misdirected energies for some time to come. 

In the meantime, proceeding with the labour of felling the miraculous tree, he discovered that the stump was hollow and full of water in which the fry of every sort of fresh-water fish was swimming about. The benevolent Sigu determined to stock all the rivers and lakes on earth with the fry on so liberal a scale that every sort of fish should swarm in every water. 

But this generous intention was unexpectedly frustrated. For the water in the cavity, being connected with the great reservoir somewhere in the bowels of the earth, began to overflow; and to arrest the rising flood Sigu covered the stump with a closely woven basket.

This had the desired effect. But unfortunately the brown monkey, tired of his fruitless task, stealthily returned, and his curiosity being aroused by the sight of the basket turned upside down, he imagined that it must conceal something good to eat. So he cautiously lifted it and peeped beneath, and out poured the flood, sweeping the monkey himself away and inundating the whole land. 

Gathering the rest of the animals together Sigu led them to the highest points of the country, where grew some tall coconut-palms. Up the tallest trees he caused the birds and climbing animals to ascend, and as for the animals that could not climb and were not amphibious, he shut them in a cave with a very narrow entrance, and having sealed up the mouth of it with wax he gave the animals inside a long thorn with which to pierce the wax and so ascertain when the water had subsided. 

After taking these measures for the preservation of the more helpless species, he and the rest of the creatures climbed up the palm-tree and ensconced themselves among the branches. During the darkness and storm which followed, they all suffered intensely from cold and hunger; the rest bore their sufferings with stoical fortitude, but the red howling monkey uttered his anguish in such horrible yells that his throat swelled and has remained distended ever since; that, too, is the reason why to this day he has a sort of bony drum in his throat. 

Meanwhile Sigu from time to time let fall seeds of the palm into the water to judge of its depth by the splash. As the water sank, the interval between the dropping of the seed and the splash in the water grew longer; and at last, instead of a splash the listening Sigu heard the dull thud of the seeds striking the soft earth. 

Then he knew that the flood had subsided, and he and the animals prepared to descend. But the trumpeter-bird was in such a hurry to get down that he flopped straight into an ant's nest, and the hungry insects fastened on his legs and gnawed them to the bone. That is why the trumpeter-bird has still such spindle shanks. The other creatures profited by this awful example and came down the tree cautiously and safely. 

Sigu now rubbed two pieces of wood together to make fire, but just as he produced the first spark, he happened to look away, and the bush-turkey, mistaking the spark for a fire-fly, gobbled it up and flew off. The spark burned the greedy bird's gullet, and that is why turkey's have red wattles on their throats to this day. 

The alligator was standing by at the time, doing no harm to anybody, but as he was for some reason an unpopular character, all the other animals accused him of having stolen and swallowed the spark. In order to recover the spark from the jaws of the alligator Sigu tore out the animal's tongue, and that is why alligators have no tongue to speak of down to this very day." (Hamlet's Mill)