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3. If the quartet in Gb6-21--24 should represent the 4 sky pillars, then we ought to require light to be visible in front. The alternative ending with July 4 fulfills this requirement because south of the equator Sun will move gradually higher and higher in the sky beyond midwinter:

Gb6-21 (404) Gb6-22 Gb6-23 Gb6-24 (*105)
ν Gemini (101.6), ψ6 Aurigae (101.7), τ Puppis (102.2), ψ7 Aurigae (102.4) ψ8 Aurigae (103.2) Alhena (103.7), ψ9 Aurigae (103.9) Adara (104.8), ω Gemini (105.4)
July 1 2 3 4 (185)
Al Tuwaibe' 6 7 8 9 (49)
Gb6-21 (404) Gb6-22 Gb6-23 Gb6-24 (*364)
no star listed as yet
March 16 17 18 19 (78)

My primary reading is different, because here spring is in front north of the equator, i.e. on Easter Island light will decline.

The 4 depicted creatures (possibly hedgehogs, like pigs at a fence) have 'feather' signs of light at their backs and they are 'open' in front. Therefore my primary reading could fit for a reader north of the equator and my alternative reading be appropriate for a reader on Easter Island.

The month Maro is the month of 'feathers', because in midwinter the hens grow an abundance of feathers. Feathers were used not only as gifts for the King but also to demarcate (form a fence around) his abode, according to Manuscript E:

"... Nuku Keku was ... in charge of the feather garlands (maro), which served to mark the boundaries of the royal residence. He had pounded (the staffs with the feather garlands) into the ground.

The middle (te tini) was located in front of the bay of Hanga Rua. The feather garlands went up, continued, and reached Puku Parari. They went up again and reached Puku O Heha. From Puku O Heha they formed (a line) to the side, to Aro Huri. From Aro Huri they turned again toward the sea and reached Maunga Koua, went down, went their way, and reached Hira Moko. (He) made a second line (? he rua taupa) of feather garlands ..."

Considering the fact that the midnight culmination of Castor was in February 23, I suggest spring equinox north of the equator is the correct reading, especially as the G tablet was donated to the officers onboard the Chilean corvette O'Higgins (who were foreigners and not inhabitants of Easter Island).

Yet, we can imagine a spring king is created (hakaariki) in Gb5-24 (where 378 can allude to the synodical period of Saturn). A kava ceremony in Gb5-25 (where 52 * 5 = 260) will then result in a pair of fresh eyes or faces (mata):

48
Gb4-8 (329) Gb5-24 (378) Gb5-25 Gb5-26 Gb5-27
Gb5-28 (382) Gb5-29
February 23 (54) February 24
Terminalia Bissextum
48
Gb6-1 (384) Gb6-2 Gb6-3 Gb6-4 Gb7-25 (436)
Mata

1. Tribe, people; te mata tûai-era-á, the ancient tribes. 2. Eye; mata ite, eyewitness. 3. Mesh: mata kupega. 4. Raw, uncooked, unripe, green, matamata, half-cooked, half-ripe. Kahi matamata, a tuna fish. Vanaga.

1. The eye; mata neranera, mata kevakeva, mata mamae, to be drowsy; mata keva, mataraparapa, matapo, blind; mata hakahira, squint eyed; mata pagaha, eye strain. 2. Face, expression, aspect, figure, mien, presence, visage, view; mata mine, mata hakataha, mata pupura, mata hakahiro, to consider. 3. Raw, green, unripe. 4. Drop of water. 5. Mesh; hakamata, to make a net. 6. Cutting, flint. 7. Point, spear, spike (a fish bone). 8. Chancre. Matamata, sound of water. Churchill.

There is a wide range of significations in this stem. It will serve to express an opening as small as the mesh of a net or as large as a door of a house; it will serve to designate globular objects as large as the eye or as small as the bud on a twig or the drop of rain, and designating a pointed object it answers with equal facility for the sharpened tip of a lance or the acres of a headland; it describes as well the edge of a paddle or the source from which a thing originates. Churchill 2.

Matá. Black obsidian spear points, all belonging to the Late Period which began ca 1680. Heyerdahl 3.

This exercise was necessary before moving on to the contents of other rongorongo tablets, because my intention is to try to coordinate different texts by way of the repetition of 4 glyphs of the same kind (a phenomenon which occurs seldom). The K text has no such quartet.