Maui lifted up 'Land' with his enchanted fish-hook and the Eagle lifted up in his claws the Dead Man (possibly corresponding to Castor - the Beaver - as the personification of the time of the 'Water').

... This act of Maui's, that gave our people the land on which we live, was an event next in greatness to the separation of the Sky and Earth ...

His feat was comparable to the separation of Sky (Ranginui) and Earth (Papatuanuku) because this place once upon a time had indeed been the place where Sky and Earth were separated:

... They were Ranginui, the Sky Father, and Papatuanuku, the Earth Mother, both sealed together in a close embrace. Crushed between the weight of their bodies were their many children, whose oppression deepened. They yearned to be free; they fought their parents and each other to break loose. Tuumatauenga, virile god of war, thrust and shouted; Tangaroa of the oceans whirled and surged; Tawhirirangimaatea howled with many raging winds; Haumiatiketike and Rongomatane, of wild foods and cultivated crops tried their best but were not successful; and Ruamoko, god of earthquakes, yet to be born, struggled in the confinement of his mother's womb. Of them all, Taane Mahuta, the god of the forests, was the most determined; he set his sturdy feet upon his father's chest, and braced his upper back and shoulders against the bosom of his mother. He pushed; and they parted. So the world; as the Maori understand it; came into being ...

Around 71 * 64 = 4500 years ago the heliacal stars at Ga2-11 had been with the Sun only 41 days after 0h. Precession had since then carried the Sun yet earlier in the year with about 64 days. 41 + 64 = 105 (15 weeks). MAY 1 (121) at Ga2-11 had become July 4 (185) at the time of rongorongo:

... The tun glyph was identified as a wooden drum by Brinton ... and Marshal H. Saville immediately accepted it ... [the figure below] shows the Aztec drum representation relied on by Brinton to demonstrate his point. It was not then known that an ancestral Mayan word for drum was *tun: Yucatec tunkul 'divine drum' (?); Quiche tun 'hollow log drum'; Chorti tun 'hollow log drum' ...

... The [tun] glyph is nearly the same as that for the month Pax ... except that the top part of the latter is split or divided by two curving lines. Brinton, without referring to the Pax glyph, identified the tun glyph as the drum called in Yucatec pax che (pax 'musical instrument'; che < *te 'wooden). Yucatec pax means 'broken, disappeared', and Quiche paxih means, among other things, 'split, divide, break, separate'. It would seem that the dividing lines on the Pax glyph may have been used as a semantic/phonetic determinative indicating that the drum should be read pax, not tun ... Thus, one may expect that this glyph was used elsewhere meaning 'to break' and possibly for 'medicine' (Yuc. pax, Tzel., Tzo. pox) ...

Mago in Ga2-14 has an inside line up but no such down - this was presumably the curving end of the first half of Sun's path, with Wasat ('middle' in the following Gregorian day 185). In Roman times mago in Ga2-14 was at 'June 10, when the month celebrating Father Light (Jupiter) began:

... Midsummer is the flowering season of the oak, which is the tree of endurance and triumph, and like the ash is said to 'court the lightning flash'. Its roots are believed to extend as deep underground as its branches rise in the air - Virgil mentions this - which makes it emblematic of a god whose law runs both in Heaven and in the Underworld ... The month, which takes its name from Juppiter the oak-god, begins on June 10th and ends of July 7th. Midway comes St. John's Day, June 24th, the day on which the oak-king was sacrificially burned alive. The Celtic year was divided into two halves with the second half beginning in July, apparently after a seven-day wake, or funeral feast, in the oak-king's honour ...