4. Back to the texts:
The quartet in K clearly corresponds to the quartet in G, yet is obviously quite different. For instance is the 'tail' in Ka1-7 pointing towards left, whereas the tails in Ga1-7 and Ga19 point ahead. The figures in G are looking straight at us, but in K there cannot - for obvious reasons - be any eye-contact. A comparison with a few other rongorongo texts shows the K glyphs are exceptional - the absence of heads etc presumably constitutes a Sign:
Ka1-3--4 appears to be the very opposite of Bb8-10--11:
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