 |
228 |
 |
 |
228 |
 |
| Ga7-14 (184) |
Gb7-2 (413) |
Gb7-3 |
Ga7-1 (171) |
| 230 |
230 |
Ga7-2 looks like a straight arm ending in a fist with thumb exposed and it is a day of Jupiter. Gb6-18 is painted black, and possibly it is meant to represent the first of 8 dark nights before Rogo will reappear:
|
228 |
|
 |
228 |
 |
| Gb7-3 |
Ga7-1 (171) |
Ga7-2 |
Gb6-18 (401) |
| 230 |
230 |
 |
|
 |
 |
4 |
| Gb6-17 |
Gb6-18 (401) |
Gb6-19 |
Gb6-20 |
 |
 |
 |
 |
 |
| Gb6-25 (408) |
Gb6-26 |
Gb6-27 |
Gb6-28 |
Gb7-1 (412) |
The structure does not seem to give any clear sign of Gb6-19 being a 'tau' glyph. But it is possible to discern 4 pairs, with a quartet inserted in its center:
|
|
| Gb6-17 |
Gb6-18 (401) |
|
|
 |
 |
 |
 |
| Gb6-19 |
Gb6-20 |
Gb6-21 |
Gb6-22 |
Gb6-23 |
Gb6-24 |
|
|
| Gb6-25 (408) |
Gb6-26 |
|
|
| Gb6-27 |
Gb6-28 |
Taken together with the following Gb6-20 we can imagine a kind of 'birth' taking place, viz. a period which is 184 + 72 = 256 days long:
 |
24 |
 |
45 |
 |
215 |
|
69 |
115 |
| Ga5-5 (116) |
Ga6-1 (141) |
Ga7-17 (187) |
Gb6-20 (403) |
| 72 |
216 (= 3 * 72) |
184 |
The empty hands raised high in Ga7-17 can be contrasted with the reversed situation in Gb6-20. Instead of arms drawn like bands there are 'arms' drawn like strings. Instead of arms raised high visualizing 'empty' there are 'arms' hanging down with 'fruits'.
Moving backwards in time (from Ga7-14 which in some way should be connected with the similarly designed Ga5-5) we should go to glyph number 184 + 472 - 230 = 426:
 |
228 |
 |
|
228 |
|
| Gb7-15 (426) |
Ga7-13 (183) |
Ga7-14 (184) |
Gb7-2 (413) |
| 230 |
230 |
 |
 |
 |
| Gb7-12 |
Gb7-13 |
Gb7-14 (425) |
|
 |
 |
| Gb7-15 (426) |
Gb7-16 |
Gb7-17 |
Ga7-13 is showing a mata both the back and in front, suggesting a position of stand-still ('death). In Gb7-15 there is a single feather sign inside the fish, which should mean the opposite of a feather sign outside, i.e. intstead of disappearing behind the mountain in the west there should be an appearance in the east.
If there is a kind of regenerative process involving Gb7-15, then the result should be tao in Gb7-17, with the 'father' in Gb7-15 and the 'mother' in Gb7-16 (cfr the preceding triplet which ends with a stand-still. 'death').
Apparently it is here possible to extend the basic triplet:
|
228 |
|
|
228 |
|
| Ga7-14 (184) |
Gb7-2 (413) |
Gb7-3 |
Ga7-1 (171) |
| 230 |
230 |
|
228 |
|
| Ga7-2 |
Gb6-18 (401) |
| 230 |
But only, it seems, by paying the price of involving more glyphs per 'cardinal point' (2 at Gb6-19--20 respectively 3 at Gb7-15--17).