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7. There are lots of signs embedded in the glyphs of the Tahua text, e.g.:

Aa8-45 Aa8-46 Aa8-47 Aa8-48 Aa8-49
Aa8-50 Aa8-51 Aa8-52 Aa8-53 Aa8-54

The pair of hanau moko glyphs above (Aa8-48 and Aa8-50) have parallels in H and P:

Ha8-24 Ha8-25 Ha8-26 Ha8-27 Ha8-28 Ha8-29
...
Ha8-30 Ha8-31 Ha8-32 Ha8-33 Ha8-34 Ha8-35
Pa7-44 Pa7-45 Pa7-46 Pa7-47 Pa7-48 Pa7-49
Pa7-50 Pa7-51 Pa7-52 Pa7-53 Pa7-54 Pa7-55

It would lead us too far if we here would take time to bury our heads in an investigation of the similarities and dissimilarities between these parallel texts (in Q there is no parallel). What we should notice, however, is evidence for a confirmation of my earlier suggestion that hanau moko is a combination of hanau (like in the story about Mokuola) and moko (the place of 'plantation'):

moko hanau hanau moko
Ha8-27 Ha8-30 Aa8-48 Aa8-50 Pa7-47 Pa7-50
moko hanau moko

Let us now return to G:

Gb3-12 Gb3-13 (304) Gb3-14 Gb3-15 Gb3-16
Gb3-17 Gb3-18 (309) Gb3-19 Gb3-20 Gb3-21 Gb3-22 Gb3-23 (314)

Possibly the flying fish (Maroro) is illustrated by Gb3-20 and Gb3-22. This pair of fat 'birds' -  with fish tails open at left - are exceptional and therefore probably a Sign. The neck in Gb3-22 is shorter than in Gb3-20, perhaps indicating how 'the head' (for instance Mataora) is moving down.

Furthermore, we should notice the peculiar 'qualities' of hau tea in Gb3-21, not only how its short central vertical line probably is functioning as a 'line of measurement' but also how its left 'eye' has 'collapsed'. A similar sign of 'eye' transformation can be observed in the pair of hanau moko in Tahua, though here in front:

Gb3-21 Aa8-48 Aa8-50