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Inspired by the 'dolmen' structure of the ancient Irish alphabet I imagined a similar structure for the bird list in Manuscript E:

kukuru toua white pigeon makohe frigate kena booby tavake redtailed tropic bird
ascending   descending
ka araara sooty tern ruru black petrel
te verovero taiko
kava eoeo sooty tern kumara white tern
pi riuriu kiakia
manu tara erua 2 sooty terns tavi small lead-coloured tern tuao dark brown tern tuvi gray tern

4 + 4 = 8 months for ascending and descending Sun amount to 236 days (or to 240 if each month has 30 days, or to 248 if each month has 31 days, or to 256 if each month has 32 days). 4 months form the top of the year and possibly 5 (or 4?) extracalendrical days can be imagined in the 'subsurface' bottom line:

4

118

120

124

128

4

118

120

124

128

4

118

120

124

128

sum

354

360

372

384

5 days added

359

365

377

389

The pair of manu tara 'parents' and their 4 offspring chickens maybe are depicted in Aa1-3--8.

Aa1-3 Aa1-4 Aa1-5 Aa1-6 Aa1-7 Aa1-8
manu tara erua pi riuriu kava eoeo te verovero ka araara

If this is correct, then we can expect tuvi, tuao, and tavi at the preceding glyphs:

Ab8-84 Aa1-1 Aa1-2
tuvi tuao tavi

Tuao is the bird of central importance among these 3. Tu-ao seems to mean 'daylight' (ao) is 'rising' (tu), and Aa1-1 is the 5th ('fire') glyph beyond the 'egg' in Ab8-80 (where 8 * 80 = 640). If we apply the structure of the Hawaiian Moon calendar there should be 4 'ebb' glyphs before Aa1-1 brings light, 4 glyphs for the time of 'incubation':

Ab8-80 Ab8-81 Ab8-82 Ab8-83 Ab8-84 Aa1-1
Tane ? Rogo ? Mauri ? Mutu ?

Kea in Ab8-84 corresponds - it appears - to the final black ('Saturn') night before a new Sun emerges.

In Aa1-2 a rising Moon crescent is depicted, but the 'chicken' in Aa1-1 has his back formed like a waning Moon and his front is broken in 2 places. Maybe it is the broken eggshell, from which his head emerges?

8 * 85 = 680 (10 times 68) = 17 * 40. Furthermore, 1335 = 5 * 267 (where 267 is 'one more' than 266). If the little bird in Aa1-1 represents the old year Sun, it could make us infer that marama in Aa1-2 is the first glyph 'in the new season of light'.

Tuvi could be at Ab8-84 if the broken little chicken in Aa1-1 announces the daylight (ao) which will shine on Moon in Aa1-2:

end of the back side
Ab8-80 ('zero') Ab8-81 Ab8-82 Ab8-83 Ab8-84 ('tu-vi')
start of the front side
Aa1-1 ('tu-ao') Aa1-2 Aa1-3 Aa1-4

With tuao = tu-ao it seems unavoidable to read tuvi as tu-vi:

Vi

Pau.: To succumb. Ta.: vi, to be subjugated, the beginning of a retreat. Churchill.

Mgv.: 1. A fruit. Ta.: vi, Spondias dulcis. Mq.: vi, id. Sa.: vi, id. Ha.: wi, the tamarind. 2. A fish. Mq.: vi, id. Churchill

"WI, adj. Haw., destitute, suffering, starving; s. starvation, famine; wiwi, lean, meagre; hoo-wiwi, to lessen, diminish.

Marqu., wiwi, poor, feeble; wiwi-i, solitude. Tah., veve, poor, destitute, bare; v. to be in want.

Sanskr., vi, prep. 'compounded with verbs and nouns it implies: 1. separation; 2. privation; 3. wrongness, baseness', &c. (Benfey); as vi-deha, without body; vi-dharâ, without man, a widow; vi-dhantâ, poverty, without wealth. Lat., ve or vi, in compound words, as ve-cors, without reason, frantic; ve-grandis, not large, small; ve-sanus, out of the senses, raving unsound; vi-duus, vi-dua, without husband or wife, widower, widow. Of other things, empty, void, without. Goth, widuwo, A.-Sax., wuduwa, widow.

Benfey (Sanskr. Dict., s. v.) leads one to infer that vi is but an aphærsis of dui. It seems to me that the natural inference, and the natural turn of men's thoughts, would be that dui, two, implied addition rather than diminution. It is possible that the Sanskrit dui may have been 'worn down', as Professor Sayce calls it, to a preposition or mere affix, not only in the Sanskrit, but also in the Gothic and Latin; but with a substantial Polynesian wi still alive indicating destitution, deprivation, diminution, I incline to consider the latter as the base of, and proper relative to, the Sanskrit, Gothic, and Latin preposition or affix." (Fornander)

When the old fire is 'starving' (wi) it will soon turn into ashes. The time of 'retreat' (vi) is 'rising' (tu). But tuvi could 'announce' the event one glyph ahead of the actual retreat of the old fire.

Tavi at marama in Aa1-2 must be something else than tuvi and tuao:

Ta

OR. Write, writing. The name of writing before the term rongorongo in 1871 became current. Fischer.

1. To tattoo ( = tatú), to tattoo pictures on the skin, also: he-tá ite kona, tá-kona. 2. To weave (a net): he-tá i te kupega. 3. To shake something, moving it violently up and down and from one side to the other; he-tá e te tokerau i te maga miro, the wind shakes the branches of the trees; also in the iterative form: e-tá-tá-ana e te tokerau i te tôa, the wind continuously shakes the leaves of the sugarcane. 4. To pull something up suddenly, for instance, an eel just caught, dropping it at once on a stone and killing it: he-tá i te koreha. Tá-tá-vena-vena, ancient witching formula. Vanaga.

1. Of. 2. This, which. 3. Primarily to strike: to sacrifice, to tattoo, to insert, to imprint, to write, to draw, to copy, to design, to color, to paint, to plaster, to note, to inscribe, to record, to describe, number, letter, figure, relation; ta hakatitika, treaty; ta igoa, sign; ta ki, secretary; ta kona, to tattoo; ta vanaga, secretary. Churchill.

... the root ta through its long series of known combinations carries a strongly featured sense of action that is peripheral, centrifugal, and there seems to be at least a suspicion of the further connotation that the action is exerted downward ... The secondary sense of cutting will easily be seen to be a striking with a specialized implement, and we find this sense stated without recognition of the primal striking sense only in Mangareva, Nukuoro, Viti, and Malekula. In Indonesia this secondary sense is predominant, although Malagasy ta may come somewhat close to the striking idea ... Churchill 2.

Maybe tavi means 'to strike down' (ta) the time of 'retreat' (vi).