Also the parallel text sequences in H/P/Q here identify a point in time when a 'knot' could be needed:
Tagata means the old season is fully grown. Moreover, the numbers are likewise significant 6 * 45 = 270 = 9 * 30, 6 * 6 = 36(0) and 6 * 8 = 48(0). H and P are quite similar in indicating a kind of final for the Sun and also in their designs of tagata, while Q is different. Counting ordinal numbers from glyph a1-1 in respective text indicates a close connection between H and P, while Q seems to be 'elsewhen':
However, if we assume H and P to be counted with 3 glyphs per day and Q with 2 glyphs per day, the order is very much the same: 321 / 3 * 2 = 214. In Q we can translate glyph number 213 into a day number by dividing by 2 and adding 64:
The day beyond *Qa6-49 is day 192 and glyph line Qa6 apparently covers the time from day 168 to day 192 (24 days). 6 * 8 = 48 is the equivalent number of glyphs. Mars is missing beyond Qa6-42 and 6 * 49 = 294. Although day number 9 * 19 is evidence for Spring Sun (Mars) reaching his end it is not a strong sign. Ordinal number 213 could be a stronger signal for us, because 13 implies the death of Sun in a more definite way. He has had his 200 (half 400) days and 13 more must surely be enough. Already by simply counting the ordinal numbers of the glyphs from Qa1-1 and concentrating on the 8 glyphs beyond tagata in Qa6-8 is rewarding:
In the center of this rhomb is Qa6-12. 6 * 12 = 72, but maybe we should read 36 because in Q we are used to divide by 2. 8 feathers are at the back side and 8 in front, surely a sign of the Moon (or her Venus 'garment'). Back to Tahua. In G it is possible to find a connection in the design of the glyph:
H/P/Q and G apparently indicate the time when Spring Sun must leave the stage. But in Tahua Aa1-64 is at the end of the main calendar (808 glyphs long). It could mean that this main calendar describes the journey of Spring Sun, beginning 80 glyphs from the end of side a and ending 64 glyphs from the beginning of side a. |