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GD67
maro Sometimes Metoro said kihikihi instead of maro, especially at the type of maro glyph exemplified at left. But my maro glyphs in the catalogue include all kinds of 'feather strings'.
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A few preliminary remarks and imaginations:

1. The top of the maro glyph type, as exemplified in the prototype, exhibits a sign like that at the top of tagata:

tagata

maro

It could indicate midsummer, noon, or some other location characterized by a high position.

The left-right symmetry with 'eyes' (mata) flanking a peak is suggestive. In high summer the earth is dry (maro). Water runs downhill and the high peaks become dry and barren.

Gb1-7 is a glyph which we recognize from the beginning of the 2nd half of text (which is 472 glyphs long), and it suggests the interpretation above could be true:

Gb1-6

Gb1-7 (237)

When high summer is over - at the end of 8 months from the beginning of side a - then the maro sign should be inverted.

Counted from winter solstice (Rogo in Gb6-26) Gb1-6 represents day number 64 + 236 = 300, and the 10 - equal to the number of fingers on both hands - months of the sun should end here.

But the termination of the first 8 lunar months (8 * 29.5 = 236) is what has influenced the picture. There are 3 'feathers' both at right and at left, and this balance cannot refer to the end of sun's 300 days.

The maro figure has been turned 180° to the right as if to illustrate a fall. The lefthand and lower 3 'feathers' have been transferred to a higher position at the right side. Flexible as the strings are, the 'feathers' are still hanging down. A peculiar ure sign emerges from the former lefthand 'string of feathers'.