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Let us begin by recollecting that we have found (when discussing koti)
a mago glyph not far in front of the inverted maro
(Cb11-18):
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 |
63 + 234 |
 |
|
Cb12-10 (1) |
Cb12-11 |
Ca9-9 (300)
|
 |
 |
 |
|
Gb6-25 (1) |
Gb6-26 |
Gb1-6 (300) |
... Mago
at Cb12-10 has a variant of koti at
its front (top right), which explains why
mea ke is distorted. The 'tail' of
mago is a mixture involving mea ke,
koti and the 'fist held high' ...
|
We can guess that 63 is the reverse of 36, and if such is
the case, then the sign is (according to our experience from
G and H) used to mark the beginning of a new time at winter
solstice. Furthermore, mea ke is associated with
winter solstice.
|
glyph numbers are counted from Ca1-1 |
 |
 |
13 |
|
|
62 |
 |
|
Cb11-17 |
Cb11-18
(662) |
Cb12-10 (676) |
Cb12-11 |
Cb14-19 (740) |
The
peculiar rising fish (Cb11-17) has a sign which basically is
like an inverted henua ora:
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|
 |
|
Cb11-17 |
henua
ora |
The
inversion makes it into its opposite, changing it from an end
station to a station for beginning. This has been
explained at poporo:
|
... The poporo glyph type
indicates a time of darkness, and at
the same time says a 'seed of light'
has been 'planted', which gives hope
of a coming lighter season.
The 'seed' is the 'head' of the
previous light season. The vertical
straight 'stem' is the same sign as
in the center of henua ora,
though inverted, which means it is
the opposite: a station of 'birth':
The ika glyph type with a
poporo sign (kahi)
carries both meanings, both a
'rising fish' and 'birth' ...
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By multiplying 6 * 61 (as in the ordinal number 661
for Cb11-17) we will reach 366.
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