We have noticed how the Mamari moon calendar is full with significant numbers, e-g. glyph number 192 (equal to the number of glyphs in K) at Omotohi:

waxing (36 glyphs) 34
Ca6-17 (157) Ca7-24 (192)
waning (36 glyphs) 34
Ca7-25 Ca8-29 (228)

The importance of the first glyph (Ca6-17) is marked by its ordinal number counted from Ca1-1, viz. 157 = 314 / 2.

In G number 6-17 has likewise been chosen for an important first glyph:

Gb6-17 (400) Gb6-18 Gb6-19 Gb6-20
Gb6-21 Gb6-22 Gb6-23 Gb6-24

For some reason 6-17 apparently was used by the rongorongo writers as the first glyph in major time cycles. And Aa6-17 is a moe glyph, a glyph which announces the first light although the new 'person' still is below the horizon:

Aa6-12 Aa6-13 Aa6-14 Aa6-15 Aa6-16 (432) Aa6-17 (433) Aa6-18 Aa6-19
237 238 239 240

Moa in Aa6-16 is followed by moe, then a tagata (at left) with a strange sign at right, the first glyph of day 240.

Day 237 is the first beyond 236 and 241 the first beyond 240. Day 242 has a koti sign, and if we look close we will find a koti also in day 238 (between the bottom tamaiti and the top part).

Moe in Aa6-17 looks like a sleepy old bird with head on its way down, and likewise a head is going down in day 243 (Aa6-25 and Gb1-13):

Aa6-20 Aa6-21 Aa6-22 Aa6-23 (439) Aa6-24 Aa6-25 Aa6-26 Aa6-27
241 (439 + 45) / 2 = 242 243 244
Gb1-7 (237) Gb1-8 Gb1-9 Gb1-10 (240)
Gb1-11 Gb1-12 Gb1-13 (243) Gb1-14

The same rhythm characterizes the evolution beyond day 236 (8 * 29.5) as beyond day 240 (8 * 30).

The sign of a head hanging down alludes to rau hei, which illustrates the beginning of a rebirth 243 days later.