next page previous page return home

The period is divided in two halves by Eb4-38--39 (vae kore glyphs):

17
Eb4-32 Eb4-33 Eb4-34 Eb4-35 Eb4-36 Eb4-37
10 11 12 13 14 15
6 + 2 + 6 = 14 glyphs
Eb4-38 Eb4-39
Eb4-40 Eb4-41 Eb4-42 Eb5-1 Eb5-2 Eb5-3
18 19 20 21 22 23

Ordinal numbers in the bottom lines are here counted from Eb4-23 (the 2nd of the two wavy wing birds at the center).

The oval on the wing of Eb4-40 indicates a full cycle and 18 signifies sun, as if to say that Eb4-40 is located at the end of 180 days. In Eb4-35 tapa mea is reversed, a major change is due - probably described in Eb4-36 and Eb4-37. Disregarding Eb4-38--39 the 12 glyphs appear to be grouped in triplets, and 35 + 36 + 37 = 108 = 6 * 18.

The new type of bird probably represents the moon (while the earlier bird was the sun). Sun rules summer and moon winter, therefore Eb4-37 (with full-moon number 15) points at the end of summer. Moon birds will carry on:

 

14 16 17
Eb4-22 Eb4-23 Eb4-40 Eb4-41 Eb4-42
93 94 111 112 113
- 1 18 19 20

Eb5-2 is exactly as Eb5-4 (with ordinal number 24) in the following (18th) period, a way to link the two periods. This variant of tagata probably means the end of high summer.

Eb4-42 is the last glyph in the line. 42 (= 6*7) and 20 (= 4*5) are full measures. Likewise is  3*4 = 12 (as in the number of glyphs, excluding Eb4-38--38) a full measure.

Eb5-1 is located in a position where it alludes to the reversed tapa mea in Eb4-35, and 35 could be the result of dividing 420 by 12 - indicating the half-way station to 420 days (to the end of the '7th flame of the sun'). 15 at the special ua (Eb4-37) could then indicate a wished for full moon at that time, or it simply means 15 * 14 = 210 (half 420).