There now remains only one more period with ragi to investigate in the Keiti calendar, viz. the 4th period:
Metoro named these two glyphs manu ragi rima respectively manu ragi. The 'heavenly bird' (manu ragi) in Eb2-25 depicts the moon (judging from the form of its beak), and - we may guess - the following manu ragi therefore could be the sun. Ragi in these two glyphs have legs, a sign of vitality (in contrast to the bottomless ragi at the end of the old year). Possibly the idea expressed is 'walking sky'. |
