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2. Both rei miro examples have what presumably is meant to indicate a moon crescent incised in their centers. Moon has two crescents - waxing and waning - oppositely oriented (as the figureheads in the first example).

Anciently moon was connected with fishes, sometimes even regarded as a kind of fish. During the days we see the golden sun 'fly' above like a glorious bird, during nights we can see moon swim above like a silvery fish:

... Now birds and fishes are born under the sign of the Yin, but they belong to the Yang. This is why birds and fishes both lay eggs. Fishes swim in the waters, birds fly among the clouds. But in winter, the swallows and starlings go down into the sea and change into mussels ... (Ta Tai Li Chi according to Needham II)

'The strongly curved fish on the chest of the central Tiahuanaco deity is carved in the form of a moonshaped pectoral ...' 

From Posnansky I have copied pictures of the Gateway of the Sun and then enlarged the mentioned pectoral:

'... The prominent place of this crescentic pectoral worn by the supreme [sun] deity is remarkable when we recall that a moon-shaped pectoral was the specific royal emblem worn by the Easter Island kings of allegedly divine descent, who directed all rongo-rongo ceremonies. These crescentic royal pectorals are also among the commonly occurring glyphs in the rongo-rongo script.

On the Tiahuanaco deity, the crescentic pectoral in the shape of a fish is generally considered to symbolize his power over the sea and water, just as the feathers and condor heads show his power over the sky and air.

That the crescentic pectoral of the Easter Island kings have a similar symbolic value seems clearly indicated by the early claim that it represented the ancestral type of boat (Jaussen, 1893, p. 9). ...' (Heyerdahl 4)