Ba7.8 Let's now follow the glyphs ahead to the end of line Ba7. Surely the Old One had to die in order for the young one to flourish:
... When the man, Ulu, returned to his wife from his visit to the temple at Puueo, he said, 'I have heard the voice of the noble Mo'o, and he has told me that tonight, as soon as darkness draws over the sea and the fires of the volcano goddess, Pele, light the clouds over the crater of Mount Kilauea, the black cloth will cover my head. And when the breath has gone from my body and my spirit has departed to the realms of the dead, you are to bury my head carefully near our spring of running water. Plant my heart and entrails near the door of the house. My feet, legs, and arms, hide in the same manner. Then lie down upon the couch where the two of us have reposed so often, listen carefully throughout the night, and do not go forth before the sun has reddened the morning sky. If, in the silence of the night, you should hear noises as of falling leaves and flowers, and afterward as of heavy fruit dropping to the ground, you will know that my prayer has been granted: the life of our little boy will be saved.' And having said that, Ulu fell on his face and died ... ... In the second century Roman Empire, a belief that the death of one could rejuvenate the health of another was widespread, and Hadrian had been ill for many years; in this scenario, Antinous could have sacrificed himself in the belief that Hadrian would have recovered ...
And we can see his dry old Empty Head Gear left behind (stranded) in March 16 (or 15 in a leap year).
…to enter a war canoe from either the stern or the prow was equivalent to a 'change of state or death'. Instead, the warrior had to cross the threshold of the side-strakes as a ritual entry into the body of his ancestor as represented by the canoe. The hull of the canoe was regarded as the backbone of their chief. In laments for dead chiefs, the deceased are often compared to broken canoes awash in the surf ...
... The four males and the four females were couples in consequence of their lower, i.e. of their sexual parts. The four males were man and woman, and the four females were woman and man. In the case of the males it was the man, and in the case of the females it was the woman, who played the dominant role. They coupled and became pregnant each in him or herself, and so produced their offspring. But in the fullness of time an obscure instinct led the eldest of them towards the anthill which had been occupied by the Nummo. He wore on his head a head-dress and to protect him from the sun, the wooden bowl he used for his food. He put his two feet into the opening of the anthill, that is of the earth's womb, and sank in slowly as if for a parturition a tergo. The whole of him thus entered into the earth, and his head itself disappeared. But he left on the ground, as evidence of his passage into that world, the bowl which had caught on the edges of the opening. All that remained on the anthill was the round wooden bowl, still bearing traces of the food and the finger-prints of its vanished owner, symbol of his body and of his human nature, as, in the animal world, is the skin which a reptile has shed ... The head gear glyph is number 15 as counted from March 1. ... I became interested in what really happened at March 15 and reopened Henrikson to find out: Caesar was forewarned of the threat by the prophet Spurinna, who told him that a great threat was coming at Idus Martiae or just before. The day arrived and Caesar was still living. He was walking to his meeting with the Senate when he happened to encounter Spurinna and told him jokingly that he was still alive. Spurinna calmely answered that the day had yet not ended. The Romans divided their months in two parts and the dividing point was Idus, which in some way was connected with full moon. March 15 was the midpoint of March, which is close to spring equinox. The old agricultural year defined the beginning of the year to the time when sun returned, and it was connected with Mars ...
Number 7, as e.g. in glyph line Ba7,  was the mythic number of the Earth Turtle:  ... The higher placement of the North Building, with its 13 exterior doorways (reflecting the 13 layers of heaven), and the celestial serpents surmounting the huts identify it with the celestial sphere. The iconography of the West Building, with 7 exterior doorways (7 is the mystic number of the earth's surface), and figures of Pawahtun - the earth god as a turtle - indicate this to be the Middleworld, the place of the sun's descent into the Underworld. The East Building has mosaic elements reflecting the old war cult of Teotihuacan, where tradition had it that the sun was born; thus, this may also be Middleworld, the place of the rising sun. Finally, the South Building has 9 exterior doorways (the Underworld or Xibalba had 9 layers), and has the lowest placement in the compex; it thus seems to be associated with death and the nether regions ...
And in the Chinese layout there was a pair of 'walls' at the Pegasus Square, leaving an empty space in between:
Here the Green Serpent embracing the Grey Turtle had a loop in his tail. This tail loop was presumably a kind of opposite as compared to the loop close to the head of the Hydra. And here the right hand of Andromeda was chained to a rock:
The asterism Manus Catenata (Chained Hand) - ι, κ, and λ Andromedae - marked the π day (3-14, March 14). And 10 days earlier, in March 4, was ο Andromedae at the other end of this chain.
The Lady of the Heavens, Anunitum, has preserved her name in Anunitum (τ Piscium) which in the Golden Age of the Bull would have risen with the Sun in FEBRUARY 1. ... Though Andromeda has its roots most firmly in the Greek tradition, a female figure in Andromeda's place appeared in Babylonian astronomy. The stars that make up Pisces and the middle portion of modern Andromeda formed a constellation representing a fertility goddess, sometimes named as Anunitum or the Lady of the Heavens ...
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