364
10 The source of the heat was far below. There was a great fire at the very bottom. ... He turned round and round to the right as he fell from the sky back to the water. Still in his cradle, he floated on the sea. Then he bumped against something solid. 'Your illustrious grandfather asks you in', said a voice. The Raven saw nothing. He heard the same voice again, and then again, but still he saw nothing but water. Then he peered through the hole in his marten-skin blanket. Beside him was a grebe. 'Your illustrious grandfather asks you in', said the grebe and dived. Level with the waves beside him, the Raven discovered the top of a housepole made of stone. He untied himself from his cradle and climbed down the pole to the lowermost figure. Hala qaattsi ttakkin-gha, a voice said: 'Come inside, my grandson.' Behind the fire, at the rear of the house, was an old man white as a gull. 'I have something to lend you', said the old man. 'I have something to tell you as well. Dii hau dang iiji: I am you.' Slender bluegreen things with wings were moving between the screens at the back of the house. Waa'asing dang iiji, said the old man again: 'That also is you.' The old man gave the Raven two small sticks, like gambling sticks, one black, one multicoloured. He gave him instructions to bite them apart in a certain way and told him to spit the pieces at one another on the surface of the sea. The Raven climbed back up the pole, where he promptly did things backwards, just to see if something interesting would occur, and the pieces bounced apart. It may well be some bits were lost. But when he gathered what he could and tried again - and this time followed the instructions he had been given - the pieces stuck and rumpled and grew to become the mainland and Haida Gwaii ...
... Xiuhtecuhtli, the fire god, as Huehueteotl, 'the old god at the centre'. One of the oldest deities of ancient America, this clay figure from the Veracruz culture shows him seated with a brazier on his head. Xiuhtecuhtli was lord of the present 'Sun', or era, his ceremonies being particularly important at the end of every fifty-two-year cycle when all fires were put out and a fresh one was kindled on a prisoner's breast in order to keep time moving ... As soon as Man had mastered the art of kitchen fires he would have noticed that above the fire it was safe to warm his hands - if it was not too close. It would be less and less heat higher up, decreasing with the Square of the distance. ... Strassmeier and Epping, in their Astronomishes aus Babylon, say that there its stars formed the third of the twenty-eight ecliptic constellations, - Arku-sha-rishu-ku, literally the Back of the Head of Ku, - which had been established along that great circle milleniums before our era; and Lenormant quotes, as an individual title from cuneiform inscriptions, Dil-kar, the Proclaimer of Dawn, that Jensen reads As-kar, and others Dil-gan, the Messenger of Light. George Smith inferred from the tablets that it might be the Star of the Flocks; while other Euphratean names have been Lu-lim, or Lu-nit, the Ram's Eye; and Si-mal or Si-mul, the Horn star, which came down even to late astrology as the Ram's Horn. It also was Anuv, and had its constellation's titles I-ku and I-ku-u, - by abbreviation Ku, - the Prince, or the Leading One, the Ram that led the heavenly flock, some of íts titles at a different date being applied to Capella of Auriga. Brown associates it with Aloros, the first of the ten mythical kings of Akkad anterior to the Deluge, the duration of whose reigns proportionately coincided with the distances apart of the ten chief ecliptic stars beginning with Hamal, and he deduces from this kingly title the Assyrian Ailuv, and hence the Hebrew Ayil; the other stars corresponding to the other mythical kings being Alcyone, Aldebaran, Pollux, Regulus, Spica, Antares, Algenib, Deneb Algedi, and Scheat ...
... According to an etiological Hawaiian myth, the breadfruit originated from the sacrifice of the war god Kū. After deciding to live secretly among mortals as a farmer, Ku married and had children. He and his family lived happily until a famine seized their island. When he could no longer bear to watch his children suffer, Ku told his wife that he could deliver them from starvation, but to do so he would have to leave them. Reluctantly, she agreed, and at her word, Ku descended into the ground right where he had stood until only the top of his head was visible. His family waited around the spot he had last been day and night, watering it with their tears until suddenly a small green shoot appeared where Ku had stood. Quickly, the shoot grew into a tall and leafy tree that was laden with heavy breadfruits that Ku's family and neighbors gratefully ate, joyfully saved from starvation ...
... He showed them the staff with its twelve notches, one for each month. They replied: 'We are in error since we have but ten months. Are we wrong in lifting our crop of kumara (sweet potato) in the eighth month?' Whare-patari answered: 'You are wrong. Leave them until the tenth month. Know you not that there are two odd feathers in a bird's tail? Likewise there are two odd months in the year.' The grateful tribe of Rua-roa adopted Whare's advice and found the sweet potato crop greatly improved as the result ...
When the distance had become far enough the humidity inherent in the warmth from the flames below would condensate into water droplets ('tears'). This was also known since the beginning of time. These droplets from the back side (its past) of fire could be collected and would be perfect for drinking.
The moai statues on Easter Island were in principle facing inwards with their backs as pointers to where fresh water could be found: ... Most of the statues were located at a place where sweet water could be obtained. As they explained it: Captain Cook had been wrong when he said that the Easter Islanders went down to the sea in order to drink from the salty water. They instead went down to the places where underground sweet water streams from the interior of the island finally emerged and flowed out on top of the sea water. Sweet water is lighter than salty water and therefore it flowed on top ... ... There is a couple residing in one place named Kui and Fakataka. After the couple stay together for a while Fakataka is pregnant. So they go away because they wish to go to another place - they go. The canoe goes and goes, the wind roars, the sea churns, the canoe sinks. Kui expires while Fakataka swims. Fakataka swims and swims, reaching another land. She goes there and stays on the upraised reef in the freshwater pools on the reef, and there delivers her child, a boy child. She gives him the name Taetagaloa. When the baby is born a golden plover flies over and alights upon the reef. (Kua fanau lā te pepe kae lele mai te tuli oi tū mai i te papa). And so the woman thus names various parts of the child beginning with the name 'the plover' (tuli): neck (tuliulu), elbow (tulilima), knee (tulivae) ...
... The life-force of the earth is water. God moulded the earth with water. Blood too he made out of water. Even in a stone there is this force, for there is moisture in everything. But if Nummo is water, it also produces copper. When the sky is overcast, the sun's rays may be seen materializing on the misty horizon. These rays, excreted by the spirits, are of copper and are light. They are water too, because they uphold the earth's moisture as it rises. The Pair excrete light, because they are also light ... 'The sun's rays,' he went on, 'are fire and the Nummo's excrement. It is the rays which give the sun its strength. It is the Nummo who gives life to this star, for the sun is in some sort a star.' It was difficult to get him to explain what he meant by this obscure statement. The Nazarene made more than one fruitless effort to understand this part of the cosmogony; he could not discover any chink or crack through which to apprehend its meaning. He was moreover confronted with identifications which no European, that is, no average rational European, could admit. He felt himself humiliated, though not disagreeably so, at finding that his informant regarded fire and water as complementary, and not as opposites. The rays of light and heat draw the water up, and also cause it to descend again in the form of rain. That is all to the good. The movement created by this coming and going is a good thing. By means of the rays the Nummo draws out, and gives back the life-force. This movement indeed makes life ... ... But in the fullness of time an obscure instinct led the eldest of them towards the anthill which had been occupied by the Nummo. He wore on his head a head-dress and to protect him from the sun, the wooden bowl he used for his food. He put his two feet into the opening of the anthill, that is of the earth's womb, and sank in slowly as if for a parturition a tergo. The whole of him thus entered into the earth, and his head itself disappeared. But he left on the ground, as evidence of his passage into that world, the bowl which had caught on the edges of the opening. All that remained on the anthill was the round wooden bowl, still bearing traces of the food and the finger-prints of its vanished owner, symbol of his body and of his human nature, as, in the animal world, is the skin which a reptile has shed ...
The Great Bear (Ursa Major) was just below the Dragon constellation, just below the resting place (→ Cursa) of the Serpent. High up it was so cold that the fine droplets of water in the air froze to a standstill in form of flakes - like the old worn out skin of a serpent. But later on the fresh serpent would once again thaw out and descend in small streems coalescing into great navigable rivers.: ... Snorri Sterluson explains why 'Frodi's grist' is a kenning for gold. Frodi ruled during a peaceful and productive period, contemporaneous with Augustus's Pax Romana and the birth of Christ; hence the kenning. There were neither thieves nor robbers during this period, 'so that a gold ring lay long on Jalang's heath'. Snorri continues his account with the legend of the mill beyond what is told in the song: The girls' grinding produced an army hostile to Frodi. On the very day of the girls' predictions, the sea-king, Musing (Son of the Mouse), landed on the Danish shore, killed Frodi, and took away Grotti and the women on his ship. The girls were bidden to grind out salt on the mill. At midnight they asked for further instructions. 'Keep grinding', he told them. Then they ground with such vigor that the ship sank. Water poured into the eye of the mill, creating the maelstroem of the sea. Therefore the sea was salt. Incidentally, the mill was given a kenning, Serpent's Couch ...
|